Can I Put A Parcel In The Mailbox

Tears in the rain


... as hyperactive and chaotic without a free minute, I feel suspended in a reflective moment, undefined ... looking for a reason. The open fronts are a thousand ... I just hope to have the strength to stand up and always know how to deal with them with dignity, one by one. Looking up from the desk ... by myself ... I also know how to find the words to say something sensible about the events that are happening in the world ... I speak often, but not that it has nothing to say. Indeed. Just do not want to end in talk, sounding as much in the end, totally self-referential about things much bigger than me. And dramatic. And that goes well beyond my small, trivial riflessioncine from peanuts.
let it slip away thoughts ... as silly selfish tears mixed with the far more significant blows of the rain that flows all around us. And this time I cling to a summons to find a sense of what I feel. The

illustrazioncina I posted is nothing more than a color digital esercizietto I started to do last night, a 30-minutes-draw "to try to improve a certain approach to the lights and shadows that I was noted. Now added to the list of things that I want to work! :) ... The sound Bladerunner then could not take me to draw one of my girlie cyborg ...

soon,
Paranoid Android Francy

Good Hook Up Spots Eastern Nc

Diana Krall - Live in Paris (Verve, 2002)

jazz purists might have cried foul. The elected representative of a genre that crosses over into pop (Olare) and exports high quality music on territories barbarians? The transaction, rather than blasphemous, might seem utopian, but Diana Krall has managed to make that crossover that has enabled millions of people to bring a refined repertoire ranging from Bacharach to Porter, George and Ira Gershwin Brooks Bowman. In this live, the first for the Canadian artist (accompanied by her trio, and for some pieces, the Orchestre Symphonique Europeen), exceeds the Krall herself with a performance contrary to the slick studio recordings brings out also the heart and soul. The commercial success does not alter the real talent. So much so that Diana is more convincing when it is proposed as a jazz classic, freeing his mood swing on the keyboard, not when it produces slick and bloodless interpretations of standards such as The Look Of Love. The same cover of Just The Way You Are, Appendix of the CD, is an exercise in cold fusion between pop and jazz.

Rossella Rambaldi

Adapted from D & M Music and Records No 660 of 09/01/2003

East of the Sun (And West Of The Moon)

Personnel: Diana Krall (vocals, piano, Fender Rhodes piano); Alan Broadbent (conductor); Michael Brecker (tenor saxophone); Ron Mounsey (keyboards); John Pisano (acoustic guitar); Anthony Wilson (guitar); John Clayton, Christian McBride (bass); Jeff Hamilton, Lewis Nash (drums); Paulinho Da Costa (percussion); The Orchestra Symphonique European.

Tracks:
1 I Love Being Here with You
2 Let's Fall In Love
3 'Deed I Do
4 The Look Of Love
5 East of the Sun (And West of the Moon)
6 I've Got You Under My Skin
7 Devil May Care
8 Maybe You'll Be There
9 'S Wonderful
10 Fly Me to the Moon
11 A Case of You
12 Just the Way You Are

Spoiler:

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Reflector Motion Beam

Dizzy Gillespie - Dizzy’s Diamonds, The Best Of The Verve Years (Verve, 1954 - 1964)

comprehensive overview of Gillespie engaged both in orchestral recordings in those wonderful with small groups and then those with the Afro-Cuban fusion band where happily experimenting with calypso music and bossa nova (one of the pioneers of so-called Afro-Cuban bop, a style that fuses rhythms and harmonies jazzistich Netherlands Antilles). In these three CDs are all characteristics of his art: the perfect technique, marvelous instrumental voice, intriguing solo histrionics and those in which the inimitable vitality is so rash as to lead to increase the notes, the haunting melodies with unexpected waste up to leave naturally given by the basic theme.

Mauro Ronconi

Manteca

Personnel: Dizzy Gillespie (vocals, trumpet), Leo Wright (vocals, flute, Alto Saxophone), Eddy Louiss , Ella Fitzgerald, Mimi Perrin, Christiane Legrand, Jose Paula, Claudine Bargs, Bob Smart, Jean-Claude Briodin, Kati Bell Nubin, Joe Carroll, Ward Swingle, Carmen Costa (vocals); Herb Ellis, Al Hendrickson, Les Spann (guitar); Stuff Smith (violin); James Moody (flute, tenor saxophone); Gilbert Valdez (flute); Jimmy Hamilton (clarinet, tenor saxophone); Ernie Henry, Gigi Gryce, Hilton Jefferson, Jimmy Powell , Johnny Hodges, Phil Woods, Russell Procope, Benny Carter , Charlie Kennedy, Charlie Parker (alto saxophone); Coleman Hawkins, Ernie Wilkins, Frank Foster, Paul Gonsalves, Sonny Rollins, Sonny Stitt, Stan Getz , Benny Golson, Bill Perkins, Billy Mitchell , Budd Johnson (tenor saxophone); Billy Root, Marty Flax, Numa Moore, Harry Carney, Sahib Shihab, Bill Hood, Pee Wee Moore (baritone saxophone); Clark Terry, Conte Candoli, Talib Dawud, Ernie Royal, Ermet Perry, Harold Baker, Joe Gordon, Joe Wilder, Al Porcino, Lee Morgan , Quincy Jones, Ray Nance, Ray Triscari, Roy Eldridge, Stu Williamson , Taft Jordan, Willie Cook, Nick Travis, John Frosk, Carl Warwick, Cat Anderson (trumpet); Richard Berg, Al Richman, Gunther Schuller, Luis Kant, Stewart Rensey, Julius Watkins, Lucky Thompson, John Barrows, James Buffington, Albert Richmond (French horn); Frank Rehak, Frank Rosolino, Arnett Sparrow, Jimmy Wilkins, Rod Levitt, Henry Coker, J.J. Johnson , Mike Barone, Jimmy Cleveland, Al Grey, Matthew Gee, Melba Liston, Quentin Jackson, Urbie Green, George Matthews , Bill Harris , Kenny Shroyer, Bob Edmondson, John Sanders, Britt Woodman (trombone); Paul Faulise (bass trombone); Red Callender, Don Butterfield (tuba); Victor Feldman, Duke Ellington, Junior Mance, Kenny Barron, Lalo Schifrin, Oscar Peterson, Ray Bryant, René Hernández, Sister Rosetta Tharpe, Thelonious Monk, Wade Legge, Walter Davis, Jr., Wynton Kelly, Bud Powell (piano); Chuck Lampkin, J.C. Heard, Kenny Clarke, Lex Humphries, Louie Bellson, Louis Hayes, Mel Lewis, Rudy Collins, Sam Woodyard, Buddy Rich, Charlie Persip (drums); Candido Camero (congas); Jack Del Rio (bongos); Willie Rodriguez (timpani); Francisco Aguabella, Ralph Miranda, Julio Collazo, Kansas Fields, Larry Bunker, Ray Barretto, Emil Richards, Jose Mangual, Ubaldo Nieto, Carlos "Patato" Valdes (percussion).

Dizzy's Diamonds 1 (Big Band)

01 Prelude

02 'Bout to Wail

03 Umbrella Man

04 The Chains

05 Birks' Works

06 Stella by Starlight

07 Dizzy's Business

08 Autumn Leaves

09 Dizzy's Blues

10 Flamingo

11 Jordu

12 Evening Sound

13 Take the A Train

Dizzy's Diamonds 2 (Small Groups & Guests)

01 Blue 'n' Boogie

02 Bonnie's Blues

03 Ool-Ya-Koo

04 Blues After Dark

05 The Heat's On

06 Leap Frog

07 Where's Adam_

08 There is No Greater Love

09 Just One of Those things

10 I Know that You Know

11 Swing Low, Sweet Cadillac

12 Dizzy Atmosphere

Dizzy's Diamonds 3 (In an Afro Cuban Groove)

01 Manteca

02 Fiesta Mojo

03 A Night in Tunisia

04 And Then She Stopped

05 Tin Tin Deo

06 Desafinado

07 Africana

08 Pergunte Ao Joao (Ask John)

09 Caravan

10 This Lovely Feeling

11 Ungawa

12 Begin the Beguine

13 Con Alma

14 Rio Pakistan

15 Jambo

Spoiler :

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Belly Punching Fetish Gallery

Yellowjackets - Lifecycle (Heads Up Records, 2008)

With fourteen albums behind him, over a million copies sold, hundreds of concerts all over the world, the Yellowjackets are the longest and creative fusion band in history. And not just a matter of continuity office (the group has existed since 1977), as well as for an explosive thrust of experimentation languages, mergers and contamination, and to revise its horizons in the light of new acquisitions expressive style. It was the entrance to the saxophonist, composer and arranger Bob Mintzer to the Yellowjackets to make the final leap an excellent band gear to the perfect fusion of jazz electro-acoustic which I am today. Now their sound and their name are much more than a trademark, and through the evolution of their music, rather represent a guarantee certificate. Jazz fusion and acoustic blend sound with great sophistication in a compact, precise, yet mild, with spaces, shapes and sizes designed to effortlessly musicians is a pleasure to hear. This new work from the previous two years still on Heads Up, sees the presence of Mike Stern on guitar, instead of Robben Ford, one of the founders of the group. Mike Stern is the author of two of the best songs of the album as a whole in style to which we have used the Yellowjackets gives way to write to each member of the group but with a particular fondness for Bob Mintzer. The music of the Yellowjackets, has now become an ever more perfect mechanism, in which all the instruments fit together with absolute precision. But far from being a mere exercise in virtuosity, it maintains a freshness undeniable, thanks to the skill of writing and improvisation of the five musicians, all equally responsible for the final result.

http://www.egeamusic.com

Falken's Maze

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Yellowjackets: Bob Mintzer (clarinet, bass clarinet, soprano saxophone, tenor saxophone, EWI); Russell Ferrante (piano, keyboards, percussion); Jimmy Haslip (electric bass, programming, sequencer); Marcus Baylor (drums, percussion).

Track List:
1. Falken’s Maze
2. Country Living
3. Double Nickel
4. Dreams Go
5. Measure Of A Man
6. Yahoo
7. I Wonder
8. 3 Circles
9. Claire’s Closet
10. Lazaro

Spoiler :

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